Marc Holzer and Richard Schwester have written a fresh and highly engaging textbook for the introductory course in Public Administration.Their coverage is both comprehensive and cutting edge, not just including all the basic topics (OT, budgeting, HRM), but also reflecting new realities in public administration:Innovations in e-governmentThe importance of new technologyChanges in. This fully revised second edition includes a new chapter on gender and technology, increased coverage of the. Read Online and Download PDF Ebook Technology And Society: Social Networks, Power, And Inequality (Themes In Canadian Sociology) By Anabel Quan-Haase.
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Ross is Professor of History at the University of Southern California. He is co-director of the Los Angeles Institute for the Humanities and author of Workers On the Edge: Work, Leisure, and Politics in Industrializing Cincinnati, 1788-1890 (1985), Working-Class Hollywood: Silent Film and the Shaping of Class in America (1998), and Hollywood Left and Right: How Movie Stars Shaped American Politics (2011).
Ross is the recipient of the Theater Library Association Book Award and a Film Scholars Award from the Academy of Motion Picture Arts and Sciences. Preface ixPreface to the First Edition xSource Acknowledgments xiiiIntroduction: Why Movies Matter 11 Going to the Movies: Early Audiences 14Introduction to Article 14“The Celluloid Stage: Nickelodeon Audiences” by Richard Butsch 15Documents 32Introduction to Documents 32“The Nickel Madness” by Barton W. Carrie 32Report of Censorship of Motion Pictures and of Investigation of Motion Picture Theatres of Cleveland by Robert O.
Bartholomew 38“House Fly Panics Pittsburgh Movie Audience” 40Readings and Screenings 412 Heroes and Heroines of Their Own Entertainment: Progressive-Era Cinema 43Introduction to Article 43“Front Page Movies” by Kay Sloan 44Documents 58Introduction to Documents 58“The Social Uses of the Moving Picture” by W. Stephen Bush 59“Los Angeles Socialist Movie Theater” 62Readings and Screenings 643 The Rise of Hollywood: Movies, Ideology, and Audiences in the Roaring Twenties 66Introduction to Article 66“Fantasy and Politics: Moviegoing and Movies in the 1920s” by Steven J.
Ross 67Documents 91Introduction to Documents 91“The Deluxe Picture Palace” by Lloyd Lewis 92“Petting at the Movies” by E. Mitchell 94“The Actor’s Part” by Milton Sills 95Readings and Screenings 984 Who Controls What We See? Censorship and the Attack on Hollywood “Immorality” 100Introduction to Article 100“Hollywood Censored: The Production Code Administration and the Hollywood Film Industry, 1930–1940”by Gregory D. Black 101Documents 123Introduction to Documents 123Quotes from Censorship of the Theater and Moving Pictures edited by Lamar T. Beman 123Readings and Screenings 1295 Confronting the Great Depression: Renewing Democracy in Hard Times 130Introduction to Article 130“The Recreation of America: Hybrid Moviemakers and the Multicultural Republic” by Lary May 131Documents 160Introduction to Documents 160Responses to Edward G. Robinson’s “Declaration of Democratic Independence” 161Readings and Screenings 1636 Alternatives Cinemas: Movies on the Margins 165Introduction to Article 165“Others’ Movies” by Thomas Cripps 166Documents 185Introduction to Documents 185“The Negro and the Photo-Play” by Oscar Micheaux 185“‘The Symbol of the Unconquered,’ New Play” 187“Some New American Documentaries: In Defense of Liberty” by John H.